301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers

301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers
Course Technology PTR | 2007-10-09 | ISBN: 1598632043 | 528 pages | PDF | 29 MB

The tools and techniques necessary for great digital output are now readily available and more affordable than ever. "301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers" shows photographers of all levels how to make high-quality prints through step-by-step instructions and hundreds of full-color examples from more than 20 professional photographers and other artists. You’ll discover how to choose the right inkjet printer for your output needs, how to save time and select the proper materials when prepping files and prints, how to manage your digital images, how to create captivating portfolios and framed art, and much more.
Whether you are a professional photographer or a serious hobbyist this book will help you learn how to enhance and perfect your digital output skills and use your computer and inkjet printer to better express your vision and creativity. You can read the book cover to cover, or only the chapters that feature the specific tips and techniques that interest you. A comprehensive index and a searchable companion web site will ensure that you find the information you are looking for.

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Amphotos Guide to Digital Black and White Printing Techniques for Creating High Quality Prints

Amphotos Guide to Digital Black and White Printing: Techniques for Creating High Quality Prints
Amphoto Books | 2005 | ISBN: 0817470719 | 160 pages | PDF | 40 MB

Everybody's shooting in black and white-for weddings, for studio work, for portraits and family pictures, and anything that looks great with a classic, documentary style. Digital cameras make it easier to shoot in black and white, but many photographers are struggling to create the sharp, crisp, timeless look of great pictures in this medium. They need Amphoto's Guide to Digital Black and White Printing. From new digital ways to perform traditional darkroom techniques (such as exposure, burning and dodging, and highlight control) to handling duotones, hue saturation, and even "hand coloring" effects...it's all here, in black and white.

•Shows photographers how to use digital printing techniques to create masterful black-and-white images
•Digital printing is replacing the darkroom-everyone who shoots in black and white needs to know these specialized techniques

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Teaching Photography Tools for the Imaging Educator

Finally, a book for you teachers! Because making great photographs does not always translate into an ability to teach effectively. Teaching Photography will show you how to help your students expand their knowledge and abilities in the techniques, the aesthetics, and the way photography fits into a greater world of knowledge, by providing ideas for inspiring conversations and critiques, as well as insightful pointers regarding the learner’s perspective in this new world. Teaching Photography approaches photographic education from a point of view that stresses the how and why of the education and not the technique to be taught.
* New ideas on critiques, evaluations, and planning
* Incorporates student artwork demonstrating direct results from critiquing sessions — the good and the bad!
* Explores how photography fits into a greater world of knowledge and the importance of inspiring classroom discussions
* Learn from the interviews with professors who have seen it all
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Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing

Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing
Focal Press; 1 edition (November 28, 2006) | English | 0240808541 | 224 pages | PDF | 18.73 MB

Eagerly awaited, clear step-by-step instructions for how to work with digital negatives to produce excellent quality prints for silver and alternative processes.
Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing bridges the world of traditional photographic printing with digital technology. A digital negative, prepared in Photoshop, allows you to skip the dark room time developing the negatives-getting straight to a variety of printing processes including silver, platinum, and a host of other "alternative" processes. You will see this as an opportunity to mix technology with traditional photo processes resulting in more time for your art! In the recent past, photographers that wanted digital negatives had to take their business to labs. Now all of you Photoshop users can incorporate this practice into your workflow of choice.

· Easy, quick start recommendations for specific supplies and instructions for making your first print quickly without all the details of calibrating digital negatives.
· Offers expert instruction for the more advanced; much of the book will be focused on how to calibrate digital negatives, configure a digital darkroom, and fine tune prints from digital negatives
· Adventurous, experimental techniques take printing using alternative processes into new options including toning, multiple printing, printing with ink and platinum, plus others.

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Master Photography - October 2009

Master Photography - October 2009
English | PDF | 52 pages | 19 MB

The 2009 Master Photography Awards edition of our magazine, featuring all the exhibition entries and award winners. Some superb photography!
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http://www.fileserve.com/file/HEBF6jN/052810.MAG.Master.Photo.102009.rar
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Event Photography Handbook: How to Make Money Photographing Award Ceremonies, Corporate Functions, and Other Special Occasions

Event Photography Handbook: How to Make Money Photographing Award Ceremonies, Corporate Functions, and Other Special Occasions

2008 | ISBN: 158428241X | 538 pages | PDF | 5.5 MB

From parades, sporting events, and black-tie galas to political rallies, product-release parties, and anniversary celebrations, this is the definitive guide to event photography. With the recent advent of relatively inexpensive digital cameras, consumers are becoming increasingly proficient at capturing important moments on their own. In order to save their business and stay in front of the curve, professional photographers must proactively build their businesses by initiating new contacts, selecting the best equipment for each job, and enhancing their marketing and promotional skills. Detailed information on how to be successful before, during, and after the event - including proper professional etiquette, lighting and posing options, and snapping unobtrusive action shots - is included as well advice on working with both the images and client after a job.

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Medium and Large Format Photography: Moving Beyond 35mm for Better Pictures

Medium and Large Format Photography: Moving Beyond 35mm for Better Pictures
by Roger Hicks and Frances Schultz
Amphoto Books | ISBN: 0817445579 | 2001 | 408 pages | PDF | 10,1 MB

This fine book by two accomplished photographers offers an excellent introduction to medium- and large-format photography. For 35mm photographers eager to move up, it is one of the few titles available about medium-format photography and the only recent one. The authors first discuss the many advantages of working with negatives and transparencies in formats larger than 35mm. They next deal with medium-format equipment, which uses roll film, and then large-format cameras, which rely on sheet film in various sizes, most often ranging from 4" 5" to 8" 10". Each of these chapters includes examples of some of the best equipment available in each category. There is also a separate chapter on lenses and accessories, including tripods, light meters, and filters, and another chapter devoted entirely to the darkroom. The book concludes with brief personal essays by each of the authors and appendixes that include information on Polaroid processes, custom cameras, and suggestions for making better photographs. This informative book is beautifully illustrated with examples of camera equipment and of excellent photographs. Appropriate for all libraries, especially public and academic libraries with good photography collections. Highly recommended. Raymond Bial, Parkland Coll. Lib., Champaign, IL.

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